Flaunt Fashion Show, A Sold Out Success

Article and Images by Shawn Duffy, http://shawnduffy.com

Undeterred by traffic and closed streets, hundreds of people in DC's art community descended on the Honfleur Gallery Saturday night to participate in the culmination of the "Flaunt: A Photography & Fashion Collaboration" exhibition. 

Flaunt launched at the Honfleur Gallery on April 25 and features the collaborative work of local photographers Meaghan Gay, Joshua Yospyn, John Ulaszek, and Steve Goldenberg, along with DC fashion designers Taimur Baig, Lara Akinsaya, Dana Greaves, and Will Sharp. 

While the exhibition had already proven to be a success, Flaunt organizers Ten Miles Square and Project Beltway, took it up a notch by producing a full-scale fashion show on Saturday night. 

The runway show featured work from the Flaunt exhibition designers while the Flaunt photographers enjoyed a front-row seat.

The featured photographers were some of the only people sitting, however. 

Since the show had sold out by Friday afternoon, gallery was standing-room only by the time the first model hit the runway a little before 9:30pm.

After viewing the great photos and fashion, each of the show's attendees must have left Honfleur certain that DC's fashion scene is just as vibrant and full of talent as anywhere else.

Congratulations to the designers, photographers, models, volunteers, and organizers for a truly memorable show!

ABOUT SHAWN DUFFY

Shawn is a freelance photojournalist based in the Washington, DC Metro area, who has traveled and shot in locations such as India, the Occupied Palestinian Territories, Ireland, France, and DC.

Currently pursuing projects in the Washington, DC area, Shawn plans to be traveling again to Israel/Palestine in mid-2009.  Though he finances all of his own projects and travel, donations to assist him in his work are greatly appreciated.

For more information or to contact Shawn directly, please visit his website at http://shawnduffy.com.

The Many Colors of Joshua Yospyn 

Article and Interview by Betsy Spruill Clarke.  Photography by Joshua Yospyn...NATCH!

What do flying tortoises, crushed food and fashion have in common?  Well, besides being the key elements of an insanely mad, yet couture-savvy chef's dream, they are also the lucky subjects of Joshua Yospyn's photography.  His signature recipe--vivid color and straight-forward angles, mixed with a dash of occasional conceptual cropping--pops with drama while complimenting the viewer's imagination. 

Currently exhibiting with John Ulaszek, Meahgan Gay and Steven Goldenberg in "Flaunt: Photography & Fashion Collaboration" at Anacostia's Honfleur Gallery, Josh is also a virtual resident of Heather Goss's Ten Miles Square.  And, if you regularly read the Washington Post, you can also see his photojournalist side.  

Very open to discussion on his photography experience, Josh is also laid back, yet, quick with the wit.  Through the following interview, as he shares his thoughts on exhibiting in Anacostia, color and concept, and flying tortoises, we get to see the multi-faceted side of Josh that is, much like his art, very prismatic...

DCSL:  How did the idea for FLAUNT come about?
JY:  I think a trifecta formed between Ten Miles Square, Honfleur Gallery, and Project Beltway.  Months ago they probably banged heads and came up with an idea to showcase locally made portraiture and fashion.  FLAUNT aside, I met Amy Cavanaugh with the Honfleur Gallery during FotoWeek last year and she sold me on Anacostia.  That part of town doesn't get enough attention from the D.C. arts community.  It houses fewer galleries than 14th Street, but they make up for it with temporary exhibitions and art fairs inside vacant buildings.

DCSL:  The use of color in your work is outstanding and the creative "subtraction" or cropping out of certain aspects of your images is absolutely interesting as it all seems to work together.  Can you shed some light on how you develop your concepts?
JY:  Thank you!  What's a concept?  But seriously, I'm a minimalist.  I keep it simple and do my homework.  When I shoot models in remote cities, I'll get there hours ahead of time and drive around looking at the sides of buildings.  Or locally, I'll spend hours taping origami paper to the wall.  Or I'll spend half a weekend and rearrange my house to paint pieces of plywood.  When I'm done I'll say, "ok, I need a subject."  Then the process begins again.  Can she also bring her two cats?  Would she mind vacuuming? 

Are those blue eyes?  Can we also use her wiener dog?  Do you have orange lipstick?  Would you mind smoking this cigar?  Where can I get a red snapper?  It doesn't always work.  But I keep trying new ideas and moving through the process.


DCSL:  Did you study photography your whole life?  How did you get into it?
JY:  I didn't discover it until a few years after college (I'm 32 now), when I dated a photographer/painter for four years.  I started shooting and got hooked.  Before I met Kristen I used an Advantix point-and-shoot.  Do they still make those things?  I got a Canon A40, shot some 35mm with her dad's F3, bought a Nikon 990, a Mamiya AF, a D100, so on and so forth.  Immediately after college I was building websites and pretty good at Flash, but my interest there waned as I found photography.


DCSL:  Is there anyone in specific who inspires you?
JY:  The painter Nuno de Campos.  He placed in the National Portrait Gallery competition a few years ago and I saw him speak during the exhibition.  His "Magnet #3" is brilliant and I began to think more anonymously.  He succeeds with a brush where I attempt with a camera.  Other heavy influences include Annie Leibovitz's DVD inspiring me to buy the Mamiya RZ67 Pro II and Richard Avedon's American West.  The digital cameras I want are ridiculously expensive, so I've returned to shooting and scanning medium format film.  And I've never been happier.

DCSL:  Flying tortoises...I love it, but where did this come from? 
JY:  The flying tortoises began in the summer of 2005 after I took a picture of a farm field in Mt. Airy, Virginia.  It's this empty field with hay bales and a red barn in the background.  It bored me and I thought about adding something in the foreground.  So I stitched helicopter blades on a helmeted tortoise and their invasion began.  In general I avoid shooting landscapes because there's not enough subject matter to grab my interest.  But if I add some turtles...  One day I'd like to a make a children's book with them.  My sister is an editor and a mother, so I'd like to make it a family project.

"Fascinated by what one cannot see, he captures faces and poses with something always crucial missing from the frame, whether it is something physical or an emotional connection between viewer and subject. Vibrant colors create impact, but as an empty messenger of what should really be there."
--Ten Miles Square 

DCSL:  Looking forward to it as I know a niece and nephew or two that would absolutely love a book like that.  What was your inspiration behind the crushed food - which is BAD ASS!!!
JY:  The crushed food was the first project I ever did with a ringflash.  My original intention was to take close-ups of a grapefruit.  It wasn't working.  Grapefruit is a very reflective and glossy surface, plus its rind wall is white.  The entire image was blown out and I wasn't getting any detail.  So I gave up, crushed it, took a picture, and drank the juice.  Julia Childs said, "The grand thing about cooking is you can eat your mistakes."  In this case I photographed my mistakes.

DCSL:  Okay, now I'm craving French food.  In addition to artist, you are also a photojournalist.  Are there other areas of photography that you work in?
JY:  I'm one of those nerds who has a 200mm macro lens on a tripod and will sit for 30 minutes in front of a flower, waiting for the wind to calm.  I get excited about dogwoods blooming, magnolia trees, lotus blossoms, asparagus beetles, ladybugs on queen anne's lace, etc. 

Much of my color influence comes from this type of work.  You can't beat nature's palette.

Photography by Joshua Yospyn, listed from top to bottom:  "Guardian Angels 38," (self portrait); "Sara 30;" and "Malinda 31."

Looks Like Somebody's Got a Case of the Mondays

Article and Photography by Betsy Spruill Clarke

I terribly apologize for not posting anything, yesterday.  I fell into a bit of a busy hole that I couldn't climb out of.  And I'm sure...at least I hope...that many of you are looking forward to a "Flaunt" wrap-up.  And I'm workin' on it!

This isn't a cry out for pity.  But I'm hoping that the photo of the pig will soften you up just a bit, though, no?

Let's face it, May is quite a busy month for almost anyone, especially in DC.  I'm an event photographer, who temps for a local association's meetings director.  So, you can imagine, that May is going to be quite a blur, by the time June 1 comes around. 

That being said, here is what I promise to you that I'm doing in an attempt to combat any productivity slope on the blog:

More Interviews
I'm reaching out to local photographers to put them in the spotlight.  I hope that I'm asking the questions that you would want to know.  However, I really am open to suggestions of photographers to interview, as well as suggestions for questions! This is also true for gallery owners and exhibit producers.

Photo of the Week
Why do you think I'm asking for your flickr pages?  I really want to spotlight a photo (or two) every week, with encouragement for critiquing.  So send me those links and let me check out what you have!

Upcoming Calendar Items
Please keep sending me your press releases and heads ups on stuff around the area.  I love it and you never know what I will post.  I mean, of course if it has to do with local photography, then it's pretty much a shoe-in.  However, I also recently posted HABATAT Gallery's John Kuhn Piano upcoming arrival.  And why not...that piano is sweet!

Ideas? Thoughts?
Please fill in the blanks.  I'm open to any ideas because a blog should be constantly evolving.  So please, shoot me any thoughts on the areas that matter to you.  Or, even better, maybe you're interested in submitting to DC Shot List...by all means!  I would love it!

Here is what you can look for this week:

More calendar listings, including one for Critical Exposure, this Friday. 

An interview with Flaunt's Joshua Yospyn

A wrap-up piece on Flaunt

Maybe even the first photo of the week

Please stay tuned...it can only get better from here!

Honfleur Gallery Presents FLAUNT: 

Photograph by Joshua Yospyn
Photography & Fashion Collaboration,
A LOCAL PHOTOGRAPHY EXHIBITION AND RUNWAY SHOW
April 25, 2009 - June 13, 2009

This spring, The Honfleur Gallery will premiere Flaunt: Photography & Fashion Collaboration, a special exhibition showcasing emerging local talent in photography and fashion design. To highlight the synergy between the two mediums, the show will feature two events:  an opening launch on Saturday, April 25, 2009, and a runway show on June 6, 2009. 
 
Flaunt, produced in association with Ten Miles Square and Project Beltway, LLC, will feature new fashion portrait work by photographers Joshua Yospyn, John Ulaszek, Meaghan Gay, and Steve Goldenberg.  The work is the result of collaborations with local fashion designers Dana Greaves, Taimur Baig, Lara Akinsaya, and Will Sharp, who will showoff their talent as their clothes grace the runway.
 
An artistic experiment of sorts, Flaunt aims to challenge and explore the notions of what constitutes fashion photography. "This unique visual event revolves around the concept that the beauty of art is its lack of fixed rules and definitions," says Heather Goss, founder of Ten Miles Square. "Each photographer captured the essence of high fashion in their own terms, as did each designer."
 
The show is meant not only to ignite discussion about fashion photography as a genre, but also to remind DC residents and artists of the ongoing need for a strong artistic- and affordable- voice in the community. "Creativity is something we can't afford to lose in this economy, but unfortunately so many designers are limited by what sells," says Rachel Cothran, founder of Project Beltway, LLC. "This show in many ways is about the artists and their explosive creative vision; visions that should not be hindered by a desire to sell, but rather embraced for their desire to create works that define their style."
 
The opening exhibition and runway show promise an outstanding soundtrack further promoting local artists including DJ Felipe. The Honfleur Gallery is located at 1241 Good Hope Rd. SE within Historic Anacostia, between the 11th Street Bridge and Martin Luther King Jr. Ave., SE. Free and Open to the Public- Don't miss out on this first-time collaboration.
 
The Honfleur Gallery exhibits & represents both fine contemporary arts & artists, while also incorporating non-salable, socially-minded exhibitions & installations. Honfleur aims to provide better access to The Arts for residents "East of the Anacostia River," D.C., Affordable Artist Workspace and a diverse range of Artistic Opportunities for Washington D.C. www.honfleurgallery.com  

Ten Miles Square is a venture to promote local photographers through independent, art supporting businesses, while also nurturing a new generation of collectors by offering real art at affordable prices. www.tenmilessquare.com
 
Project Beltway started as a local street-style blog and has evolved into an insider resource for all things fashion in D.C. www.projectbeltway.com